Whiskey Myers Theatre of the Living Arts March 14

Thu May xix, 2022 - 5:00 PM

Dominicus May 22, 2022 - 6:00 PM

Mon Jun half dozen, 2022 - 6:30 PM

Sat Jul 16, 2022 - 7:30 PM

Fri Aug 12, 2022 - 6:00 PM

It would be an understatement to say that a lot has happened since Whiskey Myers was last in the recording studio. Over two cyclone years, the gritty Texas band hit #1 on the iTunes Country Nautical chart with their breakout third album 'Early Morning Shakes,'earned raves everywhere from Rolling Rock to Us Today, and toured the US and United kingdom of great britain and northern ireland relentlessly, slaying massive festival crowds and sharing stages with Lynyrd Skynyrd, Hank Williams Jr., Jamey Johnson, and more along the style. You'd be forgiven, then, for expecting things to work a little differently this time around when the band reunited with acclaimed producer Dave Cobb for their stellar new album, 'Mud.' But as it turns out, success doesn't change a Southern gentleman, and they don't come any more Southern than Whiskey Myers.

Fueled past larger-than-life performances honed tight from countless nights on the route, 'Mud' finds the band scaling new heights of songwriting and musicianship, with searing guitars, soulful vocals, and indelible hooks. While their arroyo to the music and apprehensive, hard-working attitudes may non have altered, there have been developments in the Whiskey Myers globe, most notably with the arrival of new faces. For the recording sessions, the ring's v founding members—Cody Cannon on lead vocals and guitar, Cody Tate and John Jeffers on guitars, Gary Brown on bass, and Jeff Hogg on drums—fleshed out their sound with the addition of fiddler/keyboard actor Jon Knudson and percussionist Tony Kent, who are both now full-time members. "They bring a great free energy, and I remember it's really helped our sound and makes the band more versatile," explains Cannon. "In that location's less room onstage at present, just sometimes a family grows."

A glance through Whiskey Myers' lyrics will show you that Cannon is a human being who chooses his words advisedly, and so it'south little surprise that he describes the band every bit a family. The tight-knit grouping's roots stretch back decades into the ruby-red dirt of East Texas, where Cannon, Jeffers, and Tate first began playing together before rounding out their initial lineup with the addition Hogg and Brown (who is Cannon'southward actual cousin). They built up a rabid local post-obit on the force of their 2008 debut album, 'Route Of Life,' and then notched their first #1 on the Texas Music Charts with their 2011 follow-upwardly 'Firewater.' Information technology was 'Early Morning Shakes,' though, that introduced the rest of the world to what Texas already knew. The anthology cracked the Summit 10 on the Billboard Country Chart, a remarkable feat for a fiercely independent band and a attestation to their rigorous DIY work ethic and endless supply of passion and drive. Esquire called them "the real damn deal," while Country Weekly said they combine "greasy Southern rock riffs with countrified songwriting and Texas dust for something wholly unique," and Playboy dubbed them "the new bad boys of country music." Fifty-fifty in the confront of their speedily-growing profile and expanding lineup, the band institute they were able to choice up exactly where they left off when they returned to the studio for 'Mud.'

"We don't desire a high stress situation, and we don't desire to feel uncomfortable while we're recording, considering we want to make sure everybody tin get into their creative style," explains Brown. "Dave has a laid back mental attitude as far equally making music and that fits correct in with the way we work. His ear is similar to ours and he has the same kind of vision for what the music should sound similar."

What the music sounds like is raw, visceral emotion: pride, faith, desire, defiance. The songs on 'Mud' are stories of ordinary men and women standing up for their families and honoring their roots. Home is sacred footing for Whiskey Myers, not just a plot of land, but rather the cornerstone of an identity worth dying for. Dabble-led album opener "On The River" steps dorsum to frontier times when the struggle for survival was a daily one, while the epic title track promises a home-foreclosing banker "Ain't no man gonna take it away / Because it'due south deep downwardly in my claret / So stride beyond the ol' property line / And you lot'll die correct here in the mud." "Frogman," written with Rich Robinson of the Blackness Crowes, follows a Southern man halfway around the world, as he risks his life to defend freedom and fight terror in the Centre Due east as a Navy Seal, and the Darrell Scott co-write "Trailer We Call Home" finds the beauty in simple things, terminal, "Times go tough merely love is potent / Hither in this trailer that we call home."

"Where you come from and where y'all grew upwardly influences your music a lot," says Cannon. "Equally a ring, we don't go into the studio with whatever preconceived theme. You just sit down and you lot write and the songs come out naturally."

As a effect, Whiskey Myers' music fits neatly into no genre. Sure, it's heavily influenced by state music ("My commencement record was 'The Pressure Is On' / Ain't information technology funny how your life can change with a vocal" Cannon sings on "Hank"), just the band credits everything from Alan Jackson and Waylon Jennings to Led Zeppelin and Nirvana as inspiration. "Some Of Your Love" channels one-time-school soul, while the bright, punchy horns of "Lightning Bugs And Rain" flirts with Rolling Stones swagger, and "Good Ole' Days" captures a stripped-down, folky vibe, as the whole band sat in a circumvolve singing together live. Information technology alladds up to what Cannon maybe describes best every bit "no frills, no bullshit rock and ringlet."

"The equipment nosotros used on the recording process for this i was really of import to the audio, too" he adds. "Dave has these astonishing old amps and nosotros recorded everything to tape for the first fourth dimension. The piano was from, like, 1904 or something, and I don't think information technology's been tuned since. Trivial things like that brand a big difference. It sounds authentic when yous really use the real, erstwhile gear."

In the end, in that location may be no improve word for Whiskey Myers than authentic. This music is in their claret, and it flows every bit naturally from them equally a spring feeding a mountain creek. While a record this good is certain to send their (lonely)star rising higher than ever before, you can rest bodacious that success still won't be irresolute this band any time before long. They make music they're proud of that celebrates where they come from and makes people feel good. As far as they're concerned, that's all the success anyone could ever ask for.

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Source: https://www.axs.com/artists/605751/whiskey-myers-tickets

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